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Illustrator Sarah Coleman On The Allure of Ink

The Great Bowery artist shares what helps shape her creative process.

Culture
Illustrator Sarah Coleman On The Allure of Ink

Welcome to our newest series, Great Bowery Artist Spotlight, where we profile the renowned artists represented by Great Bowery's suite of agencies. This month, we're featuring B&A illustrator Sarah Coleman, a lifelong lover of side projects and an early pioneer of hand-drawn type. This story was originally published on Great Bowery.

Tell us about yourself.

My name is Sarah Coleman. I am an illustrator who works with ink on paper.

Why do you like working with ink?

One of the reasons I like working with ink so much is because it allows for true spontaneity and idiosyncrasy. There are many unexpected things that can happen when you take the top off a bottle of ink. As a medium, ink invites warmth, autographic authenticity and creates space for emotion and movement. The finished product is something truly authentic, a one-off and bespoke. The little happy accidents that occur are often really what makes the final piece special.

How do you approach a new project?

When I start a job, I go in on the paper and start making marks, sketching out with the ink, and sometimes without a pencil. I try to get a feel for the job and see what happens. Sometimes the final piece emerges on the first go. Other times, there can be many rounds of revision before a project is complete.

Tell about your process and tools.

Although the creative brief for a specific job may require blue ink, there are many shades of blue. While working, I will often try many blues. I frequently mix multiple shades to get a specific color. I also use water when I need to make a paler version of an exisiting color.

Since I use very hands on tools, using a specific brush is often very important. Further, the choice of pen nib is important as well. I frequently use four our five different nibs for a single project.

Can you speak to the process of digitizing your work?

As soon as the work is dry, I will put it on my hi-res A3 scanner and create a digital file. After digitizing,I can combine existing assets and manipulate the work to make the finished product.

See more from Sarah on Instagram and Great Bowery.

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